Novel set mainly in London and Nepal
Sydney, 1960s: newspaper reporter Pearl Keogh has been relegated to the women’s pages as punishment for her involvement in the anti-war movement, and is desperate to find her two young brothers before they are conscripted.
Newly arrived from Sweden, Axel Lindquist is set to work as a sculptor on the Sydney Opera House. Haunted by his father’s acts in the Second World War, he seeks solace in his attempts to create a unique piece that will do justice to the vision of Jørn Utzon, the controversial architect of the Opera House’s construction.
Pearl and Axel’s lives orbit and collide, as they both struggle in the eye of the storm. This is a soaring, optimistic novel of art and culture, and of love and fate.
A beautifully crafted, spellbinding story of love, loss and identity, set in the shadow of the Vietnam War, for readers who loved All the Light We Cannot See and The Goldfinch.
‘A shimmering love letter to Sydney, with the husk of the emerging Opera House its beating heart … Required reading‘ Australian Women’s Weekly
To review this book, please